Diseño unívoco: una ontoteología de la creación
DOI:
https://doi.org/10.46516/inmaterial.v10.327Palabras clave:
filosofía del diseño, univocidad, Misticismo, teología, creaciónResumen
Este artículo introduce el concepto de enredo unívoco como un nuevo marco ontológico para comprender el diseño como un acto metafísico de creación. A partir de la teología medieval —en particular, de la doctrina de la univocidad de Duns Scotus — y extendiéndose a través de las tradiciones místicas, ocultas y filosóficas modernas, sostenemos que el diseño no es meramente una práctica técnica o estética, sino una manifestación del Ser mismo. Al trazar el entrelazamiento histórico del diseño con la mística cristiana, la ciencia oculta y la metafísica especulativa, revelamos cómo los artefactos emergen de un campo ontológico compartido que abarca tanto la vida como la técnica. En diálogo con pensadores como Deleuze, Simondon, Heidegger y Thacker, proponemos que el diseño opera dentro de un contínuum de inmanencia, donde la creación es distribuida, ambigua y coemergente. El modelo resultante de enredo unívoco desafía las concepciones jerárquicas e hilemórficas del diseño, ofreciendo en su lugar una visión del diseño como un proceso místico, recursivo y más-que-humano de devenir.
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Derechos de autor 2025 Lewis Urquhart , Dean Aaron Ollah Mobed
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