IABS: Investigación Artística Basada en Significantes

Authors

DOI:

https://doi.org/10.46516/inmaterial.v7.155

Keywords:

significante, significado, metodología, investigación artística, semiocapitalismo.

Abstract

The Artistic Research Based on Signifiers or ARBS is a methodology that I devised to give meaning and coherence to the way of writing my doctoral thesis. It means turning practice-based research on its head, this practice being the very process and result of academic writing. It consists of paying close attention and playing with signifiers –letters, acronyms, word fragments, thumbnails, phonemes, machine translation errors, or search engine indexing– to hint at new meanings. Thus, it implies a performative and aberrant decoding of the semiocapitalist acceleration, using its logics, but, at the same time, questioning them. The ARBS overlaps the theoretical and the practical and camouflages itself in the orthodoxy of the academy to make its impossibilities shine, because it often works from errata, misunderstandings or random –apophenic– coincidences. Like a fractal, it can influence an image caption, a sentence, a paragraph, an entire chapter, an entire document, or the physicality of an installation or a performance. In short, ARBS raises the artistic possibilities of what happens inside a word processor, glancing at the various open browser tabs. As a final point, the text proposes a brief critical reflection on the dynamics established in the digital platforms of academic capitalism, based on SPAM mail or on the overinformation of the indexation of papers in bulk.

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Author Biography

Antonio Ferreira Martín, Escuela Universitaria de Artes TAI y Área de Educación del Museo Reina Sofía

Madrid, 1989. Artist, researcher and doctor in Fine Arts —Extraordinary Doctorate Award for the 2020-21 academic year—. Author of the thesis Tecnopatías post-alfabéticas: lectoescritura performativa y somatización de internet (2021) and the book Palabra parpadeo (2016). He currently teaches at the Escuela Universitaria de Artes TAI, coordinates the FOMO (Fear Of Museum Out) project at Museo Reina Sofía and is the technical editor of the journal Re-visiones (ISSN 2173-0040) since 2018. He has been a beneficiary of a Predoctoral Researcher in training contract (2018-2021) and a Postdoctoral Orientation Period contract (2021-2022), both financed by the Universidad Complutense University de Madrid and Banco Santander. His research career includes the publication of articles in indexed journals such as [i2] Investigación e Innovación en Arquitectura y Territorio and ¬ACCESOS. Revista de investigación artística, as well as the publication of several chapters in books and art catalogues. The contribution in national and international congresses encompasses various roles such as speaker, member of the scientific committee, round tables and organizer of seminars, highlighting the participation in the Seminario Internacional de Jóvenes Investigadores «(Con)Vivir en Tecnópolis» (Instituto de Filosofía, CSIC, 2019). His work has been activated in spaces such as Sala de Arte Joven de la Comunidad de Madrid (2017, 2019 and 2022), Picnic Sessions of the Centro de Arte Dos de Mayo (CA2M, 2017), Injuve’s Sala Amadís (as curator Estudio_Escritorio in 2017 and as an artist in 2020), the Escuela Perturbable at Museo Reina Sofía (2018-2019) and the LabOratoria workshop at La Casa Encendida (2020).

SIGNIFICANTES

Published

2022-12-22 — Updated on 2023-01-10

Versions

How to Cite

[1]
Ferreira Martín, A. 2023. IABS: Investigación Artística Basada en Significantes. INMATERIAL. Diseño, Arte y Sociedad. 7, 14 (Jan. 2023), 9–34 p. DOI:https://doi.org/10.46516/inmaterial.v7.155.