Writing with the mouth: voice typing as writing practice.

Authors

DOI:

https://doi.org/10.46516/inmaterial.v7.149

Keywords:

voice dictation, writing, error, audio-text

Abstract

According to Barthes, the intellectual is constantly asked to transcribe the oral presentation he has made, as if that did not pose any problem. He does it through a writing and editing exercise, never as a mere transcription. I have made various presentations in which I proposed a voice dictation system that allowed me to do exactly that: transcribe my oral presentation into digital text. The resulting text have been a formless mass relegated to the background, due to the unavoidable presence of a speaker right there. To write this article, I recover the same system, this time facing the challenge of maintaining a writing register that favors the printed text, but writing it with the mouth, completely altering orality. The particularities of voice dictation (comprehension level of the machine, volume, speed and diction of the speaker, length of pauses, enunciation of punctuation marks...) cause both expressions, oral and written, to be altered by elements of the other: the voice embodies silent paralinguistic expressions (dot, comma, hyphen), while the text registers errors of speech and listening (lapsus, repetition, correction). This article gives an account of the slippings caused by this way of writing.

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Author Biography

Miriam Inza, Depto. de Escultura, Arte y Tecnología, Facultad de Bellas Artes, Universidad del País Vasco/Euskal Herriko Unibertsitatea

Artist and researcher. Graduated in Creation and Design (2017) and Master’s degree in Research and Creation in Art (2018) at the UPV/EHU. I have participated in various congresses (GKA Arts, Madrid, 2019; CIVARTES, Jaén, 2020; Del aula al espacio público, Vitoria, 2020; RADAR, Tenerife, 2022), exhibited my work both individually ( J. de Lizarazu room, Gipuzkoa , 2019; Sala J. Valera, Córdoba, 2020; Ext. version itinerant exhibition through 11 locations in the CAV) and collectively (Bizkaia Aretoa, 2017; Ateneo Santa Cecilia, 2018; Museum of reproductions of Bilbao, 2020; Vice-rectorate of the Unizar, 2021; Centro Cultural Marcos Valcárcel, 2022) and received the grant for Creation-Production in Plastic and Visual Arts from the Basque Government in 2019. I am currently developing my PhD at the Dept. of Sculpture and Art and Technology of the Faculty of Fine Arts (UPV/EHU) with the PIF grant (2018). I am part of the Consolidated Research Group IT1460-22 GizAArtea: Critical Dialogues art/society.

AUDIO

Published

2022-12-22

How to Cite

[1]
Inza, M. 2022. Writing with the mouth: voice typing as writing practice. INMATERIAL. Diseño, Arte y Sociedad. 7, 14 (Dec. 2022), 104–116 p. DOI:https://doi.org/10.46516/inmaterial.v7.149.